Music and Genocide

Nonfiction, Entertainment, Music, Instruments & Instruction, Instruction & Study, Theory & Criticism, History, Germany
Cover of the book Music and Genocide by , Peter Lang
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: ISBN: 9783653972207
Publisher: Peter Lang Publication: March 2, 2015
Imprint: Peter Lang GmbH, Internationaler Verlag der Wissenschaften Language: English
Author:
ISBN: 9783653972207
Publisher: Peter Lang
Publication: March 2, 2015
Imprint: Peter Lang GmbH, Internationaler Verlag der Wissenschaften
Language: English

At first glance, no two experiences could be further apart than genocide and music. Yet real, live culture usually goes beyond rational divisions. It is now fairly commonly known that art is not absent from the sites of mass killings. Both victims and prosecutors engage in artistic activities in prisons and camps, as well as at other places where genocides take place. What is the music of genocide? Can the experience of ultimate terror be expressed in music? How does music reflect on genocide? How do we perceive music after genocide? What is music and what is silence in a world marked by mass killings? Is post-genocidal silence really possible or appropriate? The goal of the volume is to reveal and, maybe even to some extent, resolve the most profound dilemma that was expressed by Theodor W. Adorno when he asked «whether it is even permissible for someone who accidentally escaped and by all rights ought to have been murdered, to go on living after Auschwitz.» It is not for the sake of pure curiosity that the relation between music and genocide is examined. In a sense we are all survivors who accidentally escaped genocide. It might have happened to us. It may still happen.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

At first glance, no two experiences could be further apart than genocide and music. Yet real, live culture usually goes beyond rational divisions. It is now fairly commonly known that art is not absent from the sites of mass killings. Both victims and prosecutors engage in artistic activities in prisons and camps, as well as at other places where genocides take place. What is the music of genocide? Can the experience of ultimate terror be expressed in music? How does music reflect on genocide? How do we perceive music after genocide? What is music and what is silence in a world marked by mass killings? Is post-genocidal silence really possible or appropriate? The goal of the volume is to reveal and, maybe even to some extent, resolve the most profound dilemma that was expressed by Theodor W. Adorno when he asked «whether it is even permissible for someone who accidentally escaped and by all rights ought to have been murdered, to go on living after Auschwitz.» It is not for the sake of pure curiosity that the relation between music and genocide is examined. In a sense we are all survivors who accidentally escaped genocide. It might have happened to us. It may still happen.

More books from Peter Lang

Cover of the book Transnationale Produktentwicklungsprozesse in multinationalen Unternehmen by
Cover of the book Woerterbuecher der Deutschen Gebaerdensprache by
Cover of the book La Grande Guerre en musique by
Cover of the book Civil Society, Democracy and Democratization by
Cover of the book Nonverbale Interaktion deutscher und marokkanischer Studierender by
Cover of the book Decolonization and the Struggle for National Liberation in India (19091971) by
Cover of the book Zivilrechtliche Haftung deutscher Unternehmen fuer menschenrechtsbeeintraechtigende Handlungen ihrer Zulieferer by
Cover of the book Multilevel Citizenship by
Cover of the book Die Partnerschaftsgesellschaft mit beschraenkter Berufshaftung als Alternative zur britischen Limited Liability Partnership by
Cover of the book Rolfe, Rose, Corvo, Crabbe by
Cover of the book Versorgungssicherheit und Kapazitaetsmechanismen im deutschen Strommarktdesign by
Cover of the book Die reine Unterhaltsstiftung by
Cover of the book The Symphonic Works of Leoš Janáek by
Cover of the book Andreas Dresen by
Cover of the book Exploring Globalization Opportunities and Challenges in Social Studies by
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy