Romantic Drama

Acting and Reacting

Fiction & Literature, Drama, Continental European, Nonfiction, Entertainment, Performing Arts
Cover of the book Romantic Drama by Frederick Burwick, Cambridge University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Frederick Burwick ISBN: 9780511847882
Publisher: Cambridge University Press Publication: February 19, 2009
Imprint: Cambridge University Press Language: English
Author: Frederick Burwick
ISBN: 9780511847882
Publisher: Cambridge University Press
Publication: February 19, 2009
Imprint: Cambridge University Press
Language: English

Drama in the Romantic period underwent radical changes affecting theatre performance, acting, and audience. Theatres were rebuilt and expanded to accommodate larger audiences, and consequently acting styles and the plays themselves evolved to meet the expectations of the new audiences. This book examines manifestations of change in acting, stage design, setting, and the new forms of drama. Actors exercised a persistent habit of stepping out of their roles, whether scripted or not. Burwick traces the radical shifts in acting style from Garrick to Kemble and Siddons, and to Kean and Macready, adding a new dimension to understanding the shift in cultural sensibility from early to later Romantic literature. Eye-witness accounts by theatre-goers and critics attending plays at the major playhouses of London, the provinces, and on the Continent are provided, allowing readers to identify with the experience of being in the theatre during this tumultuous period.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Drama in the Romantic period underwent radical changes affecting theatre performance, acting, and audience. Theatres were rebuilt and expanded to accommodate larger audiences, and consequently acting styles and the plays themselves evolved to meet the expectations of the new audiences. This book examines manifestations of change in acting, stage design, setting, and the new forms of drama. Actors exercised a persistent habit of stepping out of their roles, whether scripted or not. Burwick traces the radical shifts in acting style from Garrick to Kemble and Siddons, and to Kean and Macready, adding a new dimension to understanding the shift in cultural sensibility from early to later Romantic literature. Eye-witness accounts by theatre-goers and critics attending plays at the major playhouses of London, the provinces, and on the Continent are provided, allowing readers to identify with the experience of being in the theatre during this tumultuous period.

More books from Cambridge University Press

Cover of the book Ralph Waldo Emerson in Context by Frederick Burwick
Cover of the book Kant: Religion within the Boundaries of Mere Reason by Frederick Burwick
Cover of the book Kant, Religion, and Politics by Frederick Burwick
Cover of the book Reformation Europe by Frederick Burwick
Cover of the book Destiny or Chance Revisited by Frederick Burwick
Cover of the book Postgraduate Paediatric Orthopaedics by Frederick Burwick
Cover of the book The National versus the Foreigner in South America by Frederick Burwick
Cover of the book Guarding the Periphery by Frederick Burwick
Cover of the book Von Neumann, Morgenstern, and the Creation of Game Theory by Frederick Burwick
Cover of the book A Primer on American Labor Law by Frederick Burwick
Cover of the book The Cambridge Companion to Modernist Culture by Frederick Burwick
Cover of the book Cosmogenic Nuclides by Frederick Burwick
Cover of the book A Concise History of Wales by Frederick Burwick
Cover of the book Australian Intellectual Property Law by Frederick Burwick
Cover of the book The Cambridge History of Asian American Literature by Frederick Burwick
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy