The Use of Ideology in Films. 'Jarhead' as an example
Nonfiction, Social & Cultural Studies, Social Science
| Author: | Raphaelle Sylver-Francis | ISBN: | 9783668457539 |
| Publisher: | GRIN Verlag | Publication: | May 30, 2017 |
| Imprint: | GRIN Verlag | Language: | English |
| Author: | Raphaelle Sylver-Francis |
| ISBN: | 9783668457539 |
| Publisher: | GRIN Verlag |
| Publication: | May 30, 2017 |
| Imprint: | GRIN Verlag |
| Language: | English |
Bachelor Thesis from the year 2017 in the subject Social Studies (General), grade: N/A, The University of Surrey, course: BSc (Hons) Criminology and Sociology, language: English, abstract: This thesis involves an examination of the use of Ideology in Film, specifically the war film 'Jarhead'. In addressing this subject I use the works of three prominent sociologists, Karl Marx, Friedrich Engels and Antonio Gramsci, as reference points for the study. The starting point is establishment of a definition of ideology which, overall, satisfies the views of these writers. Having followed Marx's and Engels' sketch of the historical evolution of the concept of ideology, I consider sociological perspectives on film, violence and war, giving reference to the film Jarhead. An analysis is then made with regards to four ideological themes identified in the film, considering the effectiveness of the messages being conveyed. This dissertation uses the qualitative research method, being based on previously available information.
Bachelor Thesis from the year 2017 in the subject Social Studies (General), grade: N/A, The University of Surrey, course: BSc (Hons) Criminology and Sociology, language: English, abstract: This thesis involves an examination of the use of Ideology in Film, specifically the war film 'Jarhead'. In addressing this subject I use the works of three prominent sociologists, Karl Marx, Friedrich Engels and Antonio Gramsci, as reference points for the study. The starting point is establishment of a definition of ideology which, overall, satisfies the views of these writers. Having followed Marx's and Engels' sketch of the historical evolution of the concept of ideology, I consider sociological perspectives on film, violence and war, giving reference to the film Jarhead. An analysis is then made with regards to four ideological themes identified in the film, considering the effectiveness of the messages being conveyed. This dissertation uses the qualitative research method, being based on previously available information.
