Consuming Bollywood

Gender, Globalization and Media in the Indian Diaspora

Nonfiction, Social & Cultural Studies, Social Science, Cultural Studies, Ethnic Studies, Reference & Language, Education & Teaching, Teaching, Teaching Methods, Art & Architecture, General Art
Cover of the book Consuming Bollywood by Anjali Ram, Peter Lang
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Author: Anjali Ram ISBN: 9781454194552
Publisher: Peter Lang Publication: June 30, 2012
Imprint: Peter Lang Inc., International Academic Publishers Language: English
Author: Anjali Ram
ISBN: 9781454194552
Publisher: Peter Lang
Publication: June 30, 2012
Imprint: Peter Lang Inc., International Academic Publishers
Language: English

Consuming Bollywood is a major activity in the Indian diaspora and the revenue generated from diasporic audiences is growing exponentially. By combining extended qualitative interviews and textual analysis, this book provides an insightful analysis of how the women who are socially located in the Indian diaspora use the spectacle of Bollywood cinema to renegotiate cultural meanings of home, gender, belonging, and identity. By taking the experiences and interpretations of diasporic women as central, this book substantially adds to the literature on gendered and transnational identity in the context of migration and globalization. Furthermore, it considers the emergence of Bollywood as a potent global brand that is reconstituting cultural identities within a transnational, neoliberal, market-driven economy.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Consuming Bollywood is a major activity in the Indian diaspora and the revenue generated from diasporic audiences is growing exponentially. By combining extended qualitative interviews and textual analysis, this book provides an insightful analysis of how the women who are socially located in the Indian diaspora use the spectacle of Bollywood cinema to renegotiate cultural meanings of home, gender, belonging, and identity. By taking the experiences and interpretations of diasporic women as central, this book substantially adds to the literature on gendered and transnational identity in the context of migration and globalization. Furthermore, it considers the emergence of Bollywood as a potent global brand that is reconstituting cultural identities within a transnational, neoliberal, market-driven economy.

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