Jenseits der Aura. Brechts und Eisensteins Theorien zu Film und Theater im Vergleich

Nonfiction, Entertainment, Theatre, Performing Arts
Cover of the book Jenseits der Aura. Brechts und Eisensteins Theorien zu Film und Theater im Vergleich by Daniel Reichelt, GRIN Verlag
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Daniel Reichelt ISBN: 9783638182942
Publisher: GRIN Verlag Publication: April 9, 2003
Imprint: GRIN Verlag Language: German
Author: Daniel Reichelt
ISBN: 9783638182942
Publisher: GRIN Verlag
Publication: April 9, 2003
Imprint: GRIN Verlag
Language: German

Studienarbeit aus dem Jahr 2001 im Fachbereich Theaterwissenschaft, Tanz, Note: 1,0, Europa-Universität Viadrina Frankfurt (Oder) (Fakultät für Kulturwissenschaften), Veranstaltung: Der frühe sowjetische Film: Sergej Eisenstein, Sprache: Deutsch, Abstract: In the beginning of the Ninteen-twenties both Eisenstein and Brecht proclaim the neccessity of a new form of theatre. These demands appear as the result of a process setting in with the inventions of photography and film and, refering to Benjamin, finally led to the death of the bourgeois theatre. The institutions Brecht and Eisenstein conceptualize in their theoretical writings seem to have a similar outward appearance, since both, Brecht's »theatre of the scientific age« and Eisenstein's Prolet-kult-works as well as his silent movies, are characterized by a technical usage of theatrical elements and construction of images. Nevertheless these are superficial affinities, being unable to conceal the deep differences in the fundamentals of Brecht's and Eisenstein's works. While Brecht attributes his theatre to a social and political function there are no convincing clues in Eisenstein's writings and life revealing any purpose he creates his films for beyond personal gratification. So even if similar tendencies in Eisenstein's and Brecht's works cannot be denied, it is also a matter of fact, that any congruences between their aesthetic instruments rather trace back to their common claim of creating something completely new than to similar theoretical developments of the choosen aestehtic forms.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Studienarbeit aus dem Jahr 2001 im Fachbereich Theaterwissenschaft, Tanz, Note: 1,0, Europa-Universität Viadrina Frankfurt (Oder) (Fakultät für Kulturwissenschaften), Veranstaltung: Der frühe sowjetische Film: Sergej Eisenstein, Sprache: Deutsch, Abstract: In the beginning of the Ninteen-twenties both Eisenstein and Brecht proclaim the neccessity of a new form of theatre. These demands appear as the result of a process setting in with the inventions of photography and film and, refering to Benjamin, finally led to the death of the bourgeois theatre. The institutions Brecht and Eisenstein conceptualize in their theoretical writings seem to have a similar outward appearance, since both, Brecht's »theatre of the scientific age« and Eisenstein's Prolet-kult-works as well as his silent movies, are characterized by a technical usage of theatrical elements and construction of images. Nevertheless these are superficial affinities, being unable to conceal the deep differences in the fundamentals of Brecht's and Eisenstein's works. While Brecht attributes his theatre to a social and political function there are no convincing clues in Eisenstein's writings and life revealing any purpose he creates his films for beyond personal gratification. So even if similar tendencies in Eisenstein's and Brecht's works cannot be denied, it is also a matter of fact, that any congruences between their aesthetic instruments rather trace back to their common claim of creating something completely new than to similar theoretical developments of the choosen aestehtic forms.

More books from GRIN Verlag

Cover of the book Wasser als Symbol: Eine Annäherung an die Fülle seiner Bedeutungen by Daniel Reichelt
Cover of the book The Importance of National and Corporate Culture on International Management by Daniel Reichelt
Cover of the book Das Schwungtuch. Unterrichtsstunde Sport: Kreatives und situationsgemäßes Umsetzen einer Bewegungsgeschichte in einer 1. Klasse by Daniel Reichelt
Cover of the book Current Account Imbalances of Selected Middle Eastern Countries by Daniel Reichelt
Cover of the book The Impact of Service Quality on Consumer Loyalty by Daniel Reichelt
Cover of the book Der Einsatz von Assessment-Centern in der Personalwahl. Was wird gemessen und wie valide sind die Ergebnisse? by Daniel Reichelt
Cover of the book Die Goldfunde in den Prunkgräbern von Leubingen und Helmsdorf. Unterschiede und Gemeinsamkeiten by Daniel Reichelt
Cover of the book Die grotesk - karnevalesken Körperwelten der Caprichos von Goya by Daniel Reichelt
Cover of the book 'Licht an - Licht aus!' Wir konstruieren einfache Schalter für unseren Stromkreis (Unterrichtsentwurf, 4. Schuljahr) by Daniel Reichelt
Cover of the book Ist Eva wirklich an allem Schuld? by Daniel Reichelt
Cover of the book Sind Migranten im deutschen Schulsystem benachteiligt? by Daniel Reichelt
Cover of the book Die Wahl der Marktbearbeitungsstrategien im internationalen Handel, am Beispiel der Mode- und Bekleidungsindustrie by Daniel Reichelt
Cover of the book Ist die Ökosteuer sinnvoll? by Daniel Reichelt
Cover of the book Möglichkeiten der Ausgestaltung eines Incentive-Programmes zur Steuerung und Motivation des Bankvertriebs und anschließender Transfer auf diverse Motivationstheorien by Daniel Reichelt
Cover of the book Gemeinsamer Sportunterricht für alle. Inklusion am Praxisbeispiel des Schwimmunterrichts by Daniel Reichelt
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy