The City and the Country in Howards End

Fiction & Literature, Literary Theory & Criticism, British
Cover of the book The City and the Country in Howards End by Dominik Lorenz, GRIN Verlag
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Dominik Lorenz ISBN: 9783640210930
Publisher: GRIN Verlag Publication: November 13, 2008
Imprint: GRIN Verlag Language: English
Author: Dominik Lorenz
ISBN: 9783640210930
Publisher: GRIN Verlag
Publication: November 13, 2008
Imprint: GRIN Verlag
Language: English

Seminar paper from the year 2008 in the subject English Language and Literature Studies - Literature, grade: 1,7, University of Freiburg, course: Country Houses, 14 entries in the bibliography, language: English, abstract: K.W. Gransden has noted the significance of Ruth Wilcox's answer to Margaret's comment that a house 'cannot stand by bricks and mortar alone'. The first Mrs. Wilcox replies, 'It cannot stand without them.' According to Gransden, there is a persistent note of misgiving on Forster's part about this. It is more than nostalgia. The opening description of the house at Howards End begins the statement of a large and complex architectural metaphor, which is extended throughout the novel. Hardy states that buildings, and the design of them, the architectural character of a civilization, would seem to be in Foster's mind fundamentally related to its character of manners and morals. From my point of view, it is important to look at the houses in Forster's Howards End more closely. In this term paper I will show in what way Forster associates certain housing conditions with special types of characters, and to what extent he thinks housing conditions influence the way people behave and what inference he draws as to where to live. I will focus on the three main parties namely the Wilcoxes, the Schlegels and the Basts and I will show where the characters live and in which way their economic status is reflected in their housing conditions. Furthermore, I will try to emphasize Forster's position towards housing at the beginning of the 20th century. It can be said that there are portrayed three different types of houses in Howards End. Firstly the country houses, secondly the houses of the urban lower middle class and finally the London town houses. My aim is to show that there are fundamental differences between these types of houses. Furthermore, I want to prove that the narrator distinguishes the houses' quality(ies?) among themselves. After that, I will talk about the standpoint Forster takes towards the houses' quality when he shows whether they possess life, spirit or souls. Additionally, I will illustrate some of the popular concepts and current views of Forster's time concerning the people's various housing conditions. I will exemplify the narrator's preferences where one should live by taking a closer look at a couple of statements about living in the countryside versus living in the city as well as living in houses versus living in flats. In the end, I will examine the author's choice about the ideal place to live for Margaret Schlegel - his heroine - and I will try to explain to what degree this solution is realistic within the logic of the Forster's Howards End.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Seminar paper from the year 2008 in the subject English Language and Literature Studies - Literature, grade: 1,7, University of Freiburg, course: Country Houses, 14 entries in the bibliography, language: English, abstract: K.W. Gransden has noted the significance of Ruth Wilcox's answer to Margaret's comment that a house 'cannot stand by bricks and mortar alone'. The first Mrs. Wilcox replies, 'It cannot stand without them.' According to Gransden, there is a persistent note of misgiving on Forster's part about this. It is more than nostalgia. The opening description of the house at Howards End begins the statement of a large and complex architectural metaphor, which is extended throughout the novel. Hardy states that buildings, and the design of them, the architectural character of a civilization, would seem to be in Foster's mind fundamentally related to its character of manners and morals. From my point of view, it is important to look at the houses in Forster's Howards End more closely. In this term paper I will show in what way Forster associates certain housing conditions with special types of characters, and to what extent he thinks housing conditions influence the way people behave and what inference he draws as to where to live. I will focus on the three main parties namely the Wilcoxes, the Schlegels and the Basts and I will show where the characters live and in which way their economic status is reflected in their housing conditions. Furthermore, I will try to emphasize Forster's position towards housing at the beginning of the 20th century. It can be said that there are portrayed three different types of houses in Howards End. Firstly the country houses, secondly the houses of the urban lower middle class and finally the London town houses. My aim is to show that there are fundamental differences between these types of houses. Furthermore, I want to prove that the narrator distinguishes the houses' quality(ies?) among themselves. After that, I will talk about the standpoint Forster takes towards the houses' quality when he shows whether they possess life, spirit or souls. Additionally, I will illustrate some of the popular concepts and current views of Forster's time concerning the people's various housing conditions. I will exemplify the narrator's preferences where one should live by taking a closer look at a couple of statements about living in the countryside versus living in the city as well as living in houses versus living in flats. In the end, I will examine the author's choice about the ideal place to live for Margaret Schlegel - his heroine - and I will try to explain to what degree this solution is realistic within the logic of the Forster's Howards End.

More books from GRIN Verlag

Cover of the book Charles Darwin und Religiosität? by Dominik Lorenz
Cover of the book Wohnen erwachsener Menschen mit geistiger Behinderung unter dem Aspekt des Normalisierungsprinzips und der Selbstbestimmung by Dominik Lorenz
Cover of the book Bindungsverhalten und Biografiearbeit in Pflegefamilien im Kontext der Kindeswohlgefährdung by Dominik Lorenz
Cover of the book Cesare Ripas 'Iconologia' - Einblick in Aufbau, Kriterien und Hintergründe by Dominik Lorenz
Cover of the book Pädagogik zwischen Normativität und Wissenschaftlichkeit by Dominik Lorenz
Cover of the book Strukturwandel in Ostdeutschland nach der Wiedervereinigung by Dominik Lorenz
Cover of the book Die Bedeutung des Eventmarketing als Live-Kommunikationsinstrument der Zukunft by Dominik Lorenz
Cover of the book Aufbau, Anwendung und Bedienung eines Palmtops by Dominik Lorenz
Cover of the book People who live with hope can fight the stigma by Dominik Lorenz
Cover of the book Die Pflegevisite als ein Instrument zur Qualitätssicherung by Dominik Lorenz
Cover of the book Superfrauen 6 - Medizin by Dominik Lorenz
Cover of the book Paradigmen und Normalwissenschaft by Dominik Lorenz
Cover of the book Chancen und Risiken einer Euroisierung der MOEL by Dominik Lorenz
Cover of the book Die himmlischen Hymnen in der Offenbarung des Johannes by Dominik Lorenz
Cover of the book Ripsch evvens nit - Die Gleichnistrias in Lukas 15 by Dominik Lorenz
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy