About Marginalisation Among Contemporary Portuguese Women Writers
Nonfiction, Reference & Language, Foreign Languages, Portuguese
| Author: | Laura Smith | ISBN: | 9783656945550 |
| Publisher: | GRIN Verlag | Publication: | April 20, 2015 |
| Imprint: | GRIN Verlag | Language: | English |
| Author: | Laura Smith |
| ISBN: | 9783656945550 |
| Publisher: | GRIN Verlag |
| Publication: | April 20, 2015 |
| Imprint: | GRIN Verlag |
| Language: | English |
Seminar paper from the year 2015 in the subject Romance Languages - Portuguese Studies, grade: 62, University of Birmingham, course: BA Modern Languages, language: English, abstract: 'The great art of writing consists in selecting what is most stimulant from the works of our predecessors, and in uniting the gathered beauties in a new whole, more interesting than the tributary models.' (Anon: 1797b, 451). This anonymous eighteenth-century reviewer demonstrates why a pre-existing literary tradition is so important for authors. If, however, the 'works of our predecessors' refers solely or predominantly to the works of men, from what literary tradition does a modern female author draw? The lack of literary ancestors for Portuguese women has resulted in a culture dominated by the works of men, in which the few women writers struggle for success. The level of marginalisation experienced by Portuguese women in particular is indeed higher than that of other women when one considers the effects of the censorship laws of the Estado Novo dictatorship. The traditionalist and conservative views of a Roman Catholic State frowned upon women as authors and it wasn't until the Carnation Revolution of April 25th 1974, which overthrew the regime, that women were to have the chance to write freely.
Seminar paper from the year 2015 in the subject Romance Languages - Portuguese Studies, grade: 62, University of Birmingham, course: BA Modern Languages, language: English, abstract: 'The great art of writing consists in selecting what is most stimulant from the works of our predecessors, and in uniting the gathered beauties in a new whole, more interesting than the tributary models.' (Anon: 1797b, 451). This anonymous eighteenth-century reviewer demonstrates why a pre-existing literary tradition is so important for authors. If, however, the 'works of our predecessors' refers solely or predominantly to the works of men, from what literary tradition does a modern female author draw? The lack of literary ancestors for Portuguese women has resulted in a culture dominated by the works of men, in which the few women writers struggle for success. The level of marginalisation experienced by Portuguese women in particular is indeed higher than that of other women when one considers the effects of the censorship laws of the Estado Novo dictatorship. The traditionalist and conservative views of a Roman Catholic State frowned upon women as authors and it wasn't until the Carnation Revolution of April 25th 1974, which overthrew the regime, that women were to have the chance to write freely.
