Coming to Terms with the Past - Reconciling Gender Issues

Female Protagonists in Male Authored South African Fiction

Fiction & Literature, Literary Theory & Criticism
Cover of the book Coming to Terms with the Past - Reconciling Gender Issues by Kirstine Steno, GRIN Verlag
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Kirstine Steno ISBN: 9783656037187
Publisher: GRIN Verlag Publication: October 26, 2011
Imprint: GRIN Verlag Language: English
Author: Kirstine Steno
ISBN: 9783656037187
Publisher: GRIN Verlag
Publication: October 26, 2011
Imprint: GRIN Verlag
Language: English

Bachelor Thesis from the year 2008 in the subject Literature - Africa, grade: BA, University of Copenhagen (Institute of English, Germanic and Romance Studies), course: South African Literature/Postcolonial Studies, language: English, abstract: In the latter part of the 20th and the beginning of the 21st century it has become more and more common for men to write feminine literature. Although this seems like a contradiction, Monica Bungaro points out that 'in principle, men can be feminists,' but as she continues 'they cannot be women.' (Bungaro, 2005: 48) Representing the oppressed Other is always precarious, particularly when you are a member of the oppressing class. Consequently, even the male feminist inherently carries the burden of being an oppressor of women and his representations will necessarily be scrutinized to a larger extend than similar works written by women. In this paper, I will venture an analysis of such male authored representations of the feminine as I explore two male authors' construction of female characters and their 'imagined perspective of the opposite sex.' (Morgan, 1994: 1) For this paper I have chosen to work with the novels Imaginings of Sand by André Brink and Achmat Dangor's Bitter Fruit . These authors represent two different demographics, Whites and Coloreds respectively. Not only do they have different skin colors, they each take departure in two different eras of post-apartheid South Africa. After decades of apartheid rule, the country's first democratic election took place on April 27th 1994. To most South Africans, this day represented the beginning of the new South Africa; the Rainbow Nation that was to unite all races under one democratic government. The euphoria of this truly significant event left its mark on contemporaries such as André Brink who had witnessed the liberation struggle and criticized the apartheid regime for years. The first novel he released after 1994, Imaginings of Sand, is thus marked by the enthusiasm that denominated the time. Brink himself describes the year of publishing as '... a time when the newness has not quite worn off but the euphoria of freedom has begun to give way to a more realistic assessment of where we have come from, where we are now, and where we may be heading for.' (Brink, 1996: 1) [...]

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Bachelor Thesis from the year 2008 in the subject Literature - Africa, grade: BA, University of Copenhagen (Institute of English, Germanic and Romance Studies), course: South African Literature/Postcolonial Studies, language: English, abstract: In the latter part of the 20th and the beginning of the 21st century it has become more and more common for men to write feminine literature. Although this seems like a contradiction, Monica Bungaro points out that 'in principle, men can be feminists,' but as she continues 'they cannot be women.' (Bungaro, 2005: 48) Representing the oppressed Other is always precarious, particularly when you are a member of the oppressing class. Consequently, even the male feminist inherently carries the burden of being an oppressor of women and his representations will necessarily be scrutinized to a larger extend than similar works written by women. In this paper, I will venture an analysis of such male authored representations of the feminine as I explore two male authors' construction of female characters and their 'imagined perspective of the opposite sex.' (Morgan, 1994: 1) For this paper I have chosen to work with the novels Imaginings of Sand by André Brink and Achmat Dangor's Bitter Fruit . These authors represent two different demographics, Whites and Coloreds respectively. Not only do they have different skin colors, they each take departure in two different eras of post-apartheid South Africa. After decades of apartheid rule, the country's first democratic election took place on April 27th 1994. To most South Africans, this day represented the beginning of the new South Africa; the Rainbow Nation that was to unite all races under one democratic government. The euphoria of this truly significant event left its mark on contemporaries such as André Brink who had witnessed the liberation struggle and criticized the apartheid regime for years. The first novel he released after 1994, Imaginings of Sand, is thus marked by the enthusiasm that denominated the time. Brink himself describes the year of publishing as '... a time when the newness has not quite worn off but the euphoria of freedom has begun to give way to a more realistic assessment of where we have come from, where we are now, and where we may be heading for.' (Brink, 1996: 1) [...]

More books from GRIN Verlag

Cover of the book Die Rolle der Silbe in der deutschen Orthografie by Kirstine Steno
Cover of the book Europäische Tarifverträge by Kirstine Steno
Cover of the book Der Fusionsreaktor - Ablauf der Kernfusion und Reaktorkonzepte by Kirstine Steno
Cover of the book Raumkonzeption bei Tarkovskij und Soderbergh am Beispiel von 'Solaris' by Kirstine Steno
Cover of the book Balanced Scorecard im Mittelstand by Kirstine Steno
Cover of the book Neue Formen seriellen Erzählens am Beispiel der US-Serie 'LOST' by Kirstine Steno
Cover of the book Umstände der Heirat Heinrichs des Löwen 1168 mit Mathilde, Tochter Heinrichs II., und ihre Folgen und Wirkungen auf Politik und Herrscherselbstbild by Kirstine Steno
Cover of the book Korrektes Führen des Berichtshefts (Unterweisung Industriekaufmann / -kauffrau) by Kirstine Steno
Cover of the book Andy Warhol Selbstportraits by Kirstine Steno
Cover of the book Narannapa's demonic ways and Praneshacharya's penance. Eros and Thanatos in 'Samskara' by U.R. Ananthamurthy by Kirstine Steno
Cover of the book Das Verhalten der Super-Nanny als Pädagogin im Kontext von Erkenntnissen der pädagogischen Psychologie by Kirstine Steno
Cover of the book Instrumentelles Lernen by Kirstine Steno
Cover of the book Globalisierung und Armut am Beispiel des Iran by Kirstine Steno
Cover of the book Motorik und Selbstkonzept körperbehinderter Kinder by Kirstine Steno
Cover of the book Ergebnisse der Wirbelsäulenvermessung jugendlicher Sportler verschiedener Sportarten mit der Videorasterstereographie by Kirstine Steno
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy